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We would just brainstorm these things and we'd come up with solutions. Whenever we needed to solve a problem, whether story mechanics or character things, we would just get on the phone and we would chat about it with the story people and the director that I was working with at Bardel.
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And Lori was a great partner in that respect. It was always really important to me that every decision we were making was driven by character, story, pace, all those things, rather than just being different versions of everything. So I had a certain expertise, and it was awesome to be able to step into the directing role, already knowing about the production limitations and guidelines that I needed to work with.Īnd so I was able to really try and make sure that my creative decisions and directorial decisions were propelling the production forward, and not going sideways or drifting backwards. And I had helped guide them through some of the processes, in terms of what directors need to do and when they need to do it. JCD: I’ve worked with a lot of directors over the years, including a number of first-time directors. What was it like putting on the director's hat? So it was a bit of an adjustment, but there are some things that are really super-efficient and awesome about the way that different studios do things.ĪWN: John, this was also your directorial debut, after years and years of being a producer.
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But compared to traditional filmmaking, the CG industry is still in its infancy. But the industry is evolving, as we all know, and we're seeing different kinds of animation, and different innovative techniques and technologies. And, as one of the architects of the original pipeline at Blue Sky, it was interesting for me to adjust to a different workflow. Donkin: We've been working with Bardel Entertainment in Vancouver, and Kelowna up in British Columbia. What was it like for you directing and producing with an outside studio? More and more now, as more animated features are being produced, many studios are outsourcing the animation. So it was really about getting to know these beloved characters better, in a way that we haven't before.ĪWN: In the past, you always worked within a single studio. And, hooking them up with Buck, the isolated character living a solitary existence, provided an opportunity for him to change and for us to see what he’s all about. And Crash and Eddie, all these years later, have grown and changed and are trying to be independent. We loved Buck and we loved the lost world with the dinosaurs and carnivorous plants and other perils. So in this case, we wanted to really focus in on them.
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Buck and Crash and Eddie were great characters, but they hadn’t really been developed, because in a movie with 18 other main characters, you really don't have the time to do that. And at some point we realized the story we wanted to tell would be better told in a movie, because we wanted to get into the characters.
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Lori Forte: We had the basic idea a long time ago, and it was always going to be about Buck Wild and the lost world of dinosaurs, and Crash and Eddie coming there. What made you decide to develop it as a feature instead? We spoke with Donkin and Forte about the development and production of The Ice Age Adventures of Buck Wild, as well as the future of the franchise.įirst, take a moment to enjoy the trailer:ĪWN: Initially The Ice Age Adventures of Buck Wild was supposed to be a series. They’re rescued by their one-eyed pal, the adventure-loving weasel Buck Wild (Simon Pegg), and together, with the help of some new friends (like Justina Machado as Zee), they embark on a mission to save the Lost World from dinosaur domination. Unfortunately, they quickly find themselves trapped in the Lost World, a massive underground cave (don’t you hate when that happens?). Donkin and executive produced by Lori Forte – both of whom have been with the franchise from the very beginning – The Ice Age Adventures of Buck Wild follows the zany travails of possum brothers Crash (Vincent Tong) and Eddie (Aaron Harris), desperate for some distance from their older sister Ellie (Dominique Jennings), as they set out to find a place of their own. The Ice Age Adventures of Buck Wild, the sixth film in the (literally) mammoth series, premieres on Disney+ today, January 28.ĭirected by John C. For anyone who feared that the demise of Blue Sky Studios might mean the end of The Ice Age – one of the world’s most popular (and lucrative) franchises – it’s time to pop the champagne cork and break out your mukluks.